I Dyrehaven er som at komme ind i en magisk skov med gamle træer og tågede stier.

Her smelter eventyr og fantasi sammen. 

I skumringen vandrer hekse og troldmænd gennem skoven, og i egetræernes skygger skjuler drager og ulve sig.

Træerne hvisker i grenene, og her vækkes en følelse af, at noget ukendt følger én.

Dyrehaven er prægtig og smuk — her kommer eventyret frem, og her mødes nattens dæmoner.

Giclée tryk på Museums lærred og Archival papir

Originalgiclée leveres klar til indramning.

Priser fra 950kr. I format 36 x 27 cm.

Udstilling i Union CC til d. 19.juni

Indlægget Dyrehaven blev først udgivet på Union.

Indlægget EVOLUTION d.11.4 – 9.5 blev først udgivet på Union.

Indlægget Artist talk by Jerzy Miśkowiak blev først udgivet på Union.

Elisabeth Jerichau-Baumann 1818-1881

Exhibition Opening – March 8, 2026. International Women’s Day

Lecture by Jerzy Miśkowiak (art historian and author of a monograph on Jerichau)

Refreshments and wine (collaboration with the Polish Embassy in Copenhagen)

Artist talk by Jerzy Miśkowiak.

• Mother Denmark – the woman as a national allegory (personifies a nation, its values, landscape, and people)

• Mermaid – the female body in a mythological interpretation.

• Household Prayer – women’s spirituality and everyday life (bought by Napoleon III).

• A girl prays for her mother’s health – intimacy, care, prayer.

• Foundling Children / Polish refugees – children and migration in connection with the November Uprising.

• Portraits of women from the East (e.g., Zainab Hanim) – a female artist’s view of femininity in other cultures.

• Self-portrait or portrait with children – Elisabeth as artist and mother.

Works by Elisabeth Jerichau-Baumann have been selected for the exhibition, which particularly illustrate the themes of femininity, motherhood, national identity, and the breaking of social conventions. Each work is accompanied by a historical commentary and integrated into the historical timeline.

Jerzy Miśkowiak’s book brings Elisabeth’s remarkable story to life. During the artist event, he will share vivid tales of her artistic journey, her family, her critics, and her determination to create art on her own terms in a Europe where women rarely had a voice.

It is the portrait of a woman who refused to be limited – neither by borders nor by societal expectations.

Elisabeth Jerichau-Baumann

A daughter of Poland, she was born in November 1818 and found her way to art early on – despite the many raised eyebrows that female brushes aroused in the salons of Europe.

In Düsseldorf, among the so-called “Düsseldorfers”, she received her education, and with stubbornness and boldness Elisabeth entered a world where men drew the lines – and rarely left room for anything else.

Fate led Elisabeth to Denmark, where she was married to the sculptor Jens Adolf Jerichau, a deeply feeling soul, and together they had nine children, including her beloved Harald, who also found his voice in painting.

In Denmark, she was met with not only cold winters but also a cool reception from the artistic elite.

Elisabeth’s cosmopolitan expression and her will to follow her own path often aroused distrust, especially among the gentlemen (e.g. N L Hoyen) who guarded taste and style like priests over a sanctuary.

But although the resistance was fierce, she still found a place at court, where she was warmly received, and where her brushes found new faces to immortalize.

A special acquaintance grew in Elisabeth’s connection with H.C. Andersen – a man as delicate in soul as he was sharp in pen. Their conversations and his letters testify to both admiration and struggle – he understood, perhaps better than most, what it cost to be different.

But motherhood did not bind Elisabeth to the four walls of the home; no, her life became a journey, rich in meetings and images – from the colorful bazaars of the East to the cold chambers of Europe, where Elisabeth painted princes and princesses, including the graceful Princess Nazli Zainab Hanim in her beautiful garden on the banks of the Nile.

Elisabeth’s paintings “Mother Denmark” and “Mother Poland” were not mere portraits – they became declarations. She carried her homeland in her heart, and her choice of motifs spoke of identity, belonging, and a woman’s perspective on the form and essence of a nation.

Indlægget Opening – March 8 2026. International Women’s Day. Lecture by Jerzy Miśkowiak blev først udgivet på Union.

Villabyerne artikel november 2025

Coops planer bekymrer naboer: – Vi har ikke behov for flere mursten og beton

Natasha Jahanshahi ©Villabyerne (Sjællandske tidende)

I JANUAR 2024 FIK LANDSKABSARKITEKTEN MORTEN WEEKE BORUP GENTOFTES KUNSTNERPRIS, BLANDT ANDET FOR SIT ARBEJDE MED BYRUMMET PÅ PLADSEN, SOM PLEV OPFØRT I 2012-2013.

Planerne om et byggeri med boliger i flere etager ovenpå et eksisterende supermarked på en af byens offentlige pladser, vækker harme blandt Ordrup-borgere. – Det er slet ikke det, vi har brug for, lyder det. 

Der er plantet 14 træer, 14 bede og opsat 14 bænke på det offentlige område omkring SuperBrugsen på Ordrupvej . Pladsen er et åndehul mellem bygningerne på Ordrupvej. Det mener Henrik Vistoft og Ulrika Sabroe. Derfor ser de med forundring og frustration på Coops planer om at bygge op og bygge ud.

Coop arbejder på planer om at bygge cirka 21 lejligheder oven på supermarkedet og ud på parkeringspladsen bag supermarkedet. 

– Der er ikke brug for flere store lejligheder, der er tværtimod brug for mere bymiljø og grønne områder, siger Ulrika Sabroe.

Efter et indledende borgermøde, hvor de blev præsenteret for visionerne for byggeriet, er Henrik og Ulrika kun mere skeptiske over for ideen. 

Grøn vision får kritik

Ifølge planerne skal der bygges omkring 21 boliger på i alt 2.229 kvadratmeter. Der skal nedlægges syv parkeringspladser og laves 49 parkeringspladser i en parkeringskælder, så der i alt vil være 90 parkeringspladser.

I forslaget skriver Sweco og Coop, at “p-pladsen tænkes så grønt som muligt således, at byrummet får en grøn karakter”. Her vil man plante træer ud mod Hyldegårdsvej og formklippede træer, der skal danne et slags loft over parkeringen.

Visionen fra Coops side lyder, at binde byen sammen og styrke området mellem Ordrupvej og Hyldegårdsvej. Sweco Danmark er hyret ind af Coop som rådgivende arkitekter på projektet. På taget af bygningerne skal der indrettes med grønne tagterrasser, og der er også indtegnet en have på gadeplan. Men det giver Ulrika Sabroe ikke meget for.

– Det bliver til glæde for beboerne, men ikke for os andre. Og haven i gadeplan er ikke en have, men en kommunal legeplads med den slags underlag, der sørger for, at børn ikke kommer til skade, siger hun. 

Skygge og salgspris

Henrik Vistoft bor i en lejlighed direkte overfor SuperBrugsen, og med det planlagte byggeprojekt er han betænkelig ved, hvad det vil betyde for hans udsigt, og han er urolig, om piloteringen vil gøre skade på den fredede bygning, han bor i.

På Kirkevej, der løber bag grunden, er Tessa Koldby også betænkelig ved planerne om et etagebyggeri. Hun bor i et hus lige ud til parkeringspladsen. 

– Jeg er selvfølgelig bekymret for, hvad det ville betyde for husets værdi, hvor meget det vil skygge, og at folk får direkte udsyn til vores hus og have. Og så bor vi i et over hundrede år gammelt hus, så jeg kan være bange for, om der kan komme skader i huset fra sådan et byggeri, siger hun, der håber, at idéen bliver droppet.

Kræver ændring i lokalplan

For at Coop kan føre planerne ud i livet, kræver det en ny lokalplan for området. Henrik Vistoft og Ulrika Sabroe håber på, at kommunalbestyrelsen vil bremse byggeplanerne og ikke ønsker at godkende en ændring.

– Vi har ikke brug for flere mursten og mere beton og boliger i den størrelse for rige mennesker, siger Ulrika Sabroe.

– Der kunne skabes en grøn passage ned til Ordrupvej i stedet. Vi savner nogle flere unge mennesker og børn i det her område. Hvorfor tænker man ikke i det i stedet for kapital, spørger Henrik Vistoft.

Det er jo ikke fordi, det i dag er et særligt grønt område, det er jo bare en parkeringsplads.

– Nej, men det kunne det blive. Om det er en realistisk drøm, det er det nok ikke, for det er jo Coop, der ejer parkeringspladsen, så hvis de ikke får lov til at bygge, så kommer de jo nok bare til at fortsætte med at udleje parkeringsplads. 

Udvalgsformand er noget skeptisk

Næste skridt i processen er, at byplanudvalget i Gentofte Kommune skal tage stilling til, om der skal ses på et lokalplansforslag, der vil gøre plads til projektet i sin nuværende form, om de ønsker, at projektet ændres på baggrund af høring eller om projektet skal droppes.

Det vil ske enten i december eller januar.

Jesper Marcus (K), der er formand for byplanudvalget, var med til det indledende borgermøde, hvor mange var mødt op for at høre præsentationen af byggevisionerne og give deres input. Og det var noget, der gjorde indtryk. 

– Der var nogle pointer, der var velargumenterede og berørte mig, og jeg må sige, at jeg ikke har besluttet, om jeg kan bakke op om projektet. Men jeg er noget skeptisk over for projektet i sin nuværende form siger han, siger han.

I forhold til kritikken om byggeriets størrelse, siger han:

– Det er vigtigt at huske på, at der er meget andet højt og tæt byggeri på Ordrupvej i forvejen, men det er ikke i sig selv et selvstændigt argument for projektet.

Vi har forholdt kritikken af planerne for Coop. Kommunikationsdirektør i Coop Jens Juul Nielsen, skriver i et skriftligt svar til Sjællandske Nyheder:

– I forhold til naboernes bekymringer, så afventer vi udvalgets stillingtagen i forlængelse af borgermødet, inden vi vil sige noget.

Indlægget Den Grønne Plads – Ikke flere mursten og mere beton blev først udgivet på Union.

The museum building is an aesthetic marvel with architecture and ceramic decorations by Carl-Henning Pedersen designed to embrace and display the world of art. Where architecture ends and art begins.

The heart of Carl-Henning Pedersen & Else Alfelts Museum is the unique collection of works by Carl-Henning Pedersen and his wife Else Alfelt, which Carl-Henning Pedersen donated to Herning City prior to the opening of the museum in 1976. 

Visitors will always find something new to explore in the ever-changing exhibitions from both the museum’s own rich collection and works on loan by other artists that shed light on new aspects of Carl-Henning Pedersen’s and/or Else Alfelt’s oeuvres.  

Else Alfelt

CoBrA‘s breakthrough came with the Internationale Expositie van Experimentele Kunst exhibition in Amsterdam in 1949.

Else Alfelt was an enthusiastic participant in the international cooperation of artists, which was driven by a desire for collective experimentation and spontaneous expression.

The artist Else Alfelt, depicted in the untamed nature surrounding the studio she shared with Carl-Henning Pedersen on the windswept North Sea coast of Jutland.

She is captured amidst the majestic landscape that serves as the very focal point of her art.

Standing there — on the dune, with the sky above her and an endless horizon stretching as far as the eye can see — we perceive the individual human as a tiny and almost unnoticeable piece in the vastness of the universe.

This exact concept preoccupies Alfelt and is ever-present in her work, which never places humanity at its center but instead focusses on the different tenors of nature, celestial bodies, and the universe.

As a child and young artist, Else Alfelt lives through both World War I and World War II. In a time of upheaval and uncertainty, nature and the universe become, to her, synonymous with something stable in a perpetually changing world.

A FAIRYTALE PLACE 

The Carl-Henning Pedersen & Else Alfelt Museum opens a year after the couple’s initial meeting. The museum holds a special place in their hearts, and until 2003 they faithfully return every year to change the exhibitions.

When Carl-Henning Pedersen passes away in 2007 after 31 years of marriage to Sidsel Ramson, he is laid to rest in the Inner Angli Courtyard at the museum.

Sidsel Ramson passes away in 2024 and joins her husband after 17 years of separation when she is also laid to rest under the lawn surrounded by Carl-Henning Pedersen’s vast The Play of Imagination around the Wheel of Life.

https://chpeamuseum.dk/forside-(1).aspx

NB! All rights to the text belong to the Carl-Henning & Else Alfelts Museum

Indlægget Carl-Henning Pedersen blev først udgivet på Union.

Órzola Port

Órzola Port is popular for being the port that links Lanzarote with La Graciosa Island.

It is where you will find the port that connects Lanzarote with Caleta del Sebo. Caleta del Sebo is the village with La Graciosa’s only port.

Órzola is a small coastal village in the far north of Lanzarote. It is situated in a sensational and striking natural setting with incredible views towards the Chinijo archipelago, which makes a visit to this village a highly recommended option.

Beaches near by

In short walking distance from Perla del Atlantico are some spectacular, unspoilt beaches that are undoubtedly worth a visit.

Los Caletones, Caletón Blanco, and Caleta del Blanco are excellent options. You won’t find whiter sand anywhere else on the island. They are small, unspoilt coves with clear waters and calm waves.

La Canteria Beach (Playa de la Canteria) is also another option to bear in mind, although its strong waves mean that it’s not great for swimming.

Restaurants

Orzola is village with a distinct fishing tradition. It is the ideal place to enjoy fresh fish in one of its restaurants looking over the ocean.

An Art Hotel at Lanzarote, Orzola.

Placed in the north of Lanzarote, at the habour city Orzola

Take a walk in the surroundings, with the beaches and the overwhelming nature from the evolution of the volcanoes

Peña del Señor Dionisio, 14, 35541 Orzola, Las Palmas, Lanzarote, Spanien

Telefonnummer: +34 606 13 70 23

Provins: Las Palmas

Email: Pauashell@gmail.com

Indlægget Perla del Atlantico. Partner blev først udgivet på Union.

Our publishing house has been operating since 1989.

Our mission is to support various processes of communication education with modern technologies – communication upbringing, driver training, professional development.

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Our products are available in the sales network throughout the country.

We have the pleasure of cooperating with outstanding authors and top-class experts and reviewers.

We adhere to modern quality standards, including ecological ones. Our products meet national and European safety standards.

Best Regards Witold Wiśniewski

Grupa IMAGE Sp. z o.o.
ul. Ratuszowa 11 (map)
03-450 Warsaw
Phone: 22 811 01 99

office@grupaimage.pl

We invite you from Monday to Friday from 8:00 to 16:00

https://www.grupaimage.eu

Indlægget Grupa Image: Partner blev først udgivet på Union.

Dr. Tine Bech is a Danish artist with a background in Fine Art from Aarhus, Denmark. She holds a Master’s degree in Sculpture from UCA and a Ph.D. from UWE’s Pervasive Media Studio, where she specialised in play theory and technology to develop a model for audience engagement.

“When we play, we learn how to interact with others, how to socialise, and how to connect, fostering social bonds and a sense of belonging. I believe that play is crucial to society as a whole. In today’s culture, play is often dismissed as ‘silly’ and seen as the opposite of serious work, when in fact, the opposite of play is not work, but depression. Play brings us joy and encourages empathy. Now, more than ever, it is vital to promote compassion among people.”

– Tine Bech, Artist

Source: Tine Bech

Br. Eva Stuhr

https://tinebech.com/news

Indlægget Tine Bech. Friends blev først udgivet på Union.